Thursday, July 17, 2014

REPOST: Universal could reanimate old-school movie monsters, from Frankenstein to the Invisible Man

Imagine a universe where all classic horror movie monsters exist.  An article by Ben Beaumont-Thomas of The Guardian talks about Universal's plans to revive the horror classics on the big screen.
 
Image Source: theguardian.com

From Spider-Man to Transformers, franchises have become Hollywood's most reliable cash cow, allowing them to create the epic narratives allowed on TV's canvas, and building characters that millions of people worldwide become attached to. Now Universal is gearing up a new set of franchises based around its library of classic horror characters, some last seen decades ago.

The studio's monsters include Frankenstein, Dracula, and the Mummy, all of which have had frequent movie outings, but also the Invisible Man, the Wolfman, and that 1950s favourite, the Creature from the Black Lagoon.

Deadline reports that a new strategy is cooking at Universal, where they're building an "interconnected slate" of monster films. This is a strategy similar to that of Marvel, whose universe of comic book characters, including Iron Man, the Incredible Hulk and Captain America, interact with each other across various film and TV franchises.

Previously, Universal's horror characters have existed in their own standalone universes: the likes of the Mummy franchise starring Brendan Fraser, the misfiring 2010 reboot of the Wolfman with Benicio del Toro, or the upcoming Dracula Untold, an origins story about the vampire starring Welsh actor Luke Evans. But now the way could be paved for Avengers-like films in which the characters' universes are blended into one, and they interact with one another.

The initiative will reportedly be headed up by Alex Kurtzman, who has had a variety of producer roles across hits like Spider-Man and Star Trek franchises (as well as the flop Ender's Game), alongside Chris Morgan, who has written much of the Fast and Furious franchise, a huge success for Universal in recent years. Deadline report that the first film will be a reboot of the Mummy, coming April 2016.

The plan was hinted at by Kurtzman's former producing partner Robert Orci last year, who said: "There's an interesting thing that could happen at Universal where they have this amazing library of their old monsters and these kinds of heroes, and the idea of trying to create a universe [with] Van Helsing, and we're also producing the Mummy for them. We're kind of imagining updating these kinds of things."

In 2012, Kurtzman and Orci announced their intention to make a Dark Knight-style reboot of the vampire hunter Van Helsing that would be "really grounded in reality... without sacrificing the fantasy element," but little has been heard since.

Frankenstein meanwhile is being frequently brought back to life – first in this year's flop I, Frankenstein, and next in a forthcoming film starring Daniel Radcliffe and James McAvoy.  

Louis A. Habash is a film historian who enjoys critiquing old films. Follow this blog for more articles like this one.

Wednesday, July 2, 2014

A critical analysis of Disney princesses in film

Image Source: stuffpoint.com
Animated films starring Disney princesses have gone through an evolution. From classic beauties like Snow White to new royalties such as Elsa, Disney princesses have remained a relevant cultural obsession over the past decades, even in the age of the internet.

A research published in the Journal for the Human Sciences found that the roles of Disney princesses, especially in classic films, are very “gender specific.” According to critics, such roles have created stereotypes on how a princess should look and act in terms of gender, race, and social class. 

The study also noted that culture and identity in majority of Disney princess movies were not fully embraced—in some cases they were even dispelled. Because of this, girls get an inaccurate depiction of the roles expected of them in society, and boys are also misled about how girls look and behave.

Image Source: nydailynews.com

Today, however, it seems Disney is learning its lesson. Significant progress can be seen in its recent animated releases like Tangled, The Princess and the Frog, and Frozen.

Image Source: wallsave.com
 Tangled, for example, showed that self-actualization precedes romantic fulfillment; while Frozen showcased a sense of female empowerment by portraying two strong women with opposing personalities.

Time has clearly shown us how Disney princesses can be good role models depending on how they are portrayed in films. Disney must explore alternative destinies for proverbial princesses that can inspire the younger generation to look beyond royal depictions.  

I am Louis A. Habash, writing for the love of film and history. See this Pinterest page for more of my passions.

Monday, March 24, 2014

REPOST: Garden Buys Stake in Indie Film Bastion

Tribeca Enterprise already made a deal with Madison Square Garden Company. Read more from this NYTimes.com article.

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LOS ANGELES — Tribeca Enterprises, the Manhattan-based independent film concern co-founded by Robert De Niro, has agreed to sell a 50 percent stake to the Madison Square Garden Company in a deal that values Tribeca at $45 million.

Image Source: thefilmchair.com

The deal, which the partners announced on Saturday, brings together two of New York’s highest-profile show business brands, one wrestling with ambitions that it has never quite been able to achieve on its own — Tribeca — and the other a deep-pocketed sports and live entertainment company that is also looking to expand.

 “You do get to a point when you’re a start-up, in essence, when you can’t do it alone,” said Jane Rosenthal, Tribeca’s chief executive. Ms. Rosenthal, an experienced producer of movies like “Meet the Parents,” founded the Tribeca Film Festival in 2002 with Mr. De Niro and Craig Hatkoff.

Tribeca Enterprises has grown into much more than a downtown festival, the annual installment of which begins on April 16 and will include 89 feature films and 58 shorts culled from more than 6,100 submissions. Among other ventures, Tribeca also runs international film events, a two-screen theater, a digital studio and a fledgling division that releases specialty movies both digitally and in theaters.

But its festival, founded as a cultural balm for the Sept. 11 terrorist attacks, is by far Tribeca’s biggest asset, and the Madison Square Garden Company’s interest says something important about such events: Once largely ad hoc artistic celebrations, some film festivals have, in fact, become promising businesses.

The partnership also cuts to the heart of New York indie-film politics by expanding the reach of James L. Dolan, the executive chairman of the publicly traded Madison Square Garden Company, whose holdings include its namesake arena, Radio City Music Hall, the New York Knicks basketball franchise and the New York Rangers hockey team.

The company’s deal for Tribeca comes amid a recent setback. On Friday, the company’s MSG Productions group announced that “Heart and Lights,” a new dance-oriented show featuring the Rockettes that it was producing at Radio City, was canceled less than a week before its scheduled opening and delayed until at least 2015.

Mr. Dolan, a close friend and occasional business partner of the movie executive Harvey Weinstein, sits on the board of AMC Networks, which owns SundanceTV, the IFC channel and IFC Films, a major art-house distributor. Mr. Dolan, who will join the Tribeca Enterprises board, is also the chief executive of Cablevision Systems, the New York City-area cable provider.

 Speaking by telephone, Ms. Rosenthal and Tad Smith, the Madison Square Garden Company’s new chief executive, offered few details of their plans together but emphasized their lofty aspirations. “You put these two companies together, and the world is our oyster,” Mr. Smith said.

Ms. Rosenthal said Tribeca intends to expand its festival-related programs greatly by taking advantage of the Madison Square Garden Company’s real estate across the country, which includes the Beacon Theater in New York, the Wang Theater in Boston, the Forum in the Los Angeles area and the Chicago Theater.

Opening night at Tribeca’s festival in April, for instance, will be held at the Beacon on the Upper West Side. For the first time, Tribeca will sell tickets to the event, which has historically been an invitation-only screening. This year’s kickoff will include the premiere of “Time Is Illmatic,” a documentary about the rapper Nas, who will also perform.


Image Source: okayplayer.com

Tribeca and the Madison Square Garden Company will also “explore joint sponsorship opportunities,” Mr. Smith said. But he said there are no immediate plans to funnel Tribeca films into MSG Networks, which includes a regional sports television channel, and Fuse, a music channel.

Tribeca’s sale does not give the Madison Square Garden Company majority control — for now. “Over time, we have opportunities to increase our stake, and we are optimistic that will happen,” Mr. Smith said.

Ms. Rosenthal will continue to run Tribeca Enterprises with its current president and chief operating officer, Jon Patricof, a nephew of the co-founder Mr. Hatkoff. Mr. De Niro “remains right where he always has been, which is very involved,” Ms. Rosenthal said. Tribeca employs about 70 people, and no layoffs are planned, according to a spokeswoman.


Image Source: zimbio.com

Ms. Rosenthal said the decision to sell half of Tribeca was in no way tied to her recent divorce from Mr. Hatkoff, who remains involved with the company. “Church and state,” she said.

Although it still trails the older Sundance Institute, Tribeca has succeeded in creating a strong brand in a very short time, and its festival’s film selections are increasingly respected by Hollywood insiders. Tribeca has also carved out a reputation for aggressively experimenting with new ventures; one of the latest is called Tribeca Innovation Week, which is dedicated to storytelling via new technologies.

But in some ways, the company has struggled. Its distribution division, Tribeca Film, has released about 30 movies in theaters over the past three years and taken in less than $1 million total, according to Box Office Mojo, a ticket sales database.

Asked if she thought Tribeca Film was faring better, worse or about how she expected, Ms. Rosenthal said, “Nothing is ever what I expect, and I suppose I should end that sentence there.” Tribeca Film has found several video-on-demand hits, including “How to Make Money Selling Drugs” and “The Wild and Wonderful Whites of West Virginia.” Two of its recently released two foreign films — “War Witch” and “The Broken Circle Breakdown” — received Oscar nominations.

Correction: March 22, 2014 An earlier version of this article misstated the day that this year’s Tribeca Film Festival will begin. It is April 16, not April 13.  

To get more updates and reviews about films, visit this Louis A. Habash Facebook page.

Friday, January 24, 2014

REPOST: 2014 Oscar Nominations: Full List and Analysis

American Hustle and Gravity are topping the lineup of nominees for Oscars. Read more:

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Hustle, Gravity, Slave score big, but Academy doesn't dig Davis
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Films with Most Nominations
1American Hustle10 noms
 Gravity10 noms
312 Years a Slave9 noms

The Academy of Motion Picture Arts and Sciences announced the nominees for their 86th Academy Awards early Thursday morning, recognizing the best films, filmmakers, and on- and off-screen talent of 2013. Three films dominated this year's nominee list, and none of the trio were surprises.
Two films tied atop the leaderboard: David O. Russell's period dramedy American Hustle, and Alfonso CuarĂ³n's breathtaking sci-fi thriller Gravity. Just behind those two films with nine nominations is the drama many experts believe to be the best picture frontrunner: Steve McQueen's 12 Years a Slave. Other films with multiple nominations include Captain Phillips (with 6), Dallas Buyers Club (6), Nebraska (6), Her (5), and The Wolf of Wall Street (5). Surprisingly shut out of major categories was Inside Llewyn Davis; more on that in a moment.
Listed below are the 2014 Academy Award nominees in all 24 categories.

Best picture and director

Best Picture
90 American Hustle Charles Roven, Richard Suckle, Megan Ellison and Jonathan Gordon, Producers
83 Captain Phillips Scott Rudin, Dana Brunetti and Michael De Luca, Producers
84 Dallas Buyers Club Robbie Brenner and Rachel Winter, Producers
96 Gravity Alfonso CuarĂ³n and David Heyman, Producers
91 Her Megan Ellison, Spike Jonze and Vincent Landay, Producers
86 Nebraska Albert Berger and Ron Yerxa, Producers
76 Philomena Gabrielle Tana, Steve Coogan and Tracey Seaward, Producers
97 12 Years a Slave Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen and Anthony Katagas, Producers
75 The Wolf of Wall Street (credits to be determined)
First, what's missing. The Coen brothers' Inside Llewyn Davis is the most notable omission, having previously received two dozen best picture awards and nominations over the past month, but you'll sense a theme: the Academy neglected to recognize the film in multiple categories (including screenplay, directing, and especially lead actor). Academy voters also apparently didn't see (or like) All Is Lost, as that, too, is missing from multiple categories. Critic favorite Before Midnight is also missing, though that is much less of a surprise. Nearly all of the Academy's best picture selections this year (which hit a total of nine for the third consecutive year) actually fall in the unsurprising category, with most of the bunch known for months. Only British drama Philomena is close to an unexpected inclusion. Voters also managed to avoid the three films that looked most like Oscar bait: August: Osage County(which did pick up a few acting nominations), Lee Daniels' The Butler (shut out), andSaving Mr. Banks (nominated only for its score).
Note that producer Megan Ellison (Her, American Hustle) is the first woman to ever receive two best picture nominations in the same year.
The average Metascore for the nine best picture nominees this year? An astounding 86.4, with the lowest score in the group being a still-high 75. That's what you call a good year.
Director
David O. RussellAmerican Hustle
Alfonso CuarĂ³nGravity
Alexander PayneNebraska
Steve McQueen12 Years a Slave
Martin ScorseseThe Wolf of Wall Street
None of the nominees are surprises—and CuarĂ³n and McQueen are the favorites, as they've been dominating this category during awards season—but that doesn't mean there weren't omissions anyway. (Remember, with nine best picture nominees and only five director selections, a few filmmakers are always going to be left out.) Directors who had a decent chance of landing here but didn't include Golden Globe nominee Paul Greengrass (Captain Phillips), Spike Jonze (Her), and the Coen brothers (Inside Llewyn Davis).

Writing

Original Screenplay
Eric Warren Singer and David O. RussellAmerican Hustle
Woody AllenBlue Jasmine
Craig Borten & Melisa WallackDallas Buyers Club
Spike JonzeHer
Bob NelsonNebraska
Adapted Screenplay
Richard Linklater, Julie Delpy, Ethan HawkeBefore Midnight
Billy RayCaptain Phillips
Steve Coogan and Jeff PopePhilomena
John Ridley12 Years a Slave
Terence WinterThe Wolf of Wall Street
The Dallas Buyers Club pair of Borten and Wallack are the biggest surprise in both screenplay categories, as that film was all but ignored in previous screenplay awards this year. The others are all familiar names. Spike Jonze has been dominating the original screenplay category on the awards circuit, while John Ridley has been doing the same in the adapted category. Omissions (though never likely nominees to begin with) include Nicole Holofcener for Enough Said, and the Coen brothers.
Woody Allen's writing nomination is the 16th of his career, and Allen is the last person prior to David O. Russell to be nominated for writing in two consecutive years (with Allen's nominations coming in 1977 and 1978). Speaking of Russell, he now has the only two films ever to collect nominations for best picture, director, screenplay, and all four acting categories in the same year; last year's Silver Linings Playbook was the first such film, andAmerican Hustle is the second.

Acting

Lead Actress
Amy AdamsAmerican Hustle
Cate BlanchettBlue Jasmine
Sandra BullockGravity
Judi DenchPhilomena
Meryl StreepAugust: Osage County
Now this is a tough field. Cate Blanchett—going for her second Oscar and first in a lead performance—has been cleaning up on the awards circuit this year, but Amy Adams might have some momentum with her Globe win (though Blanchett won one, too). Previous Oscar winner Bullock has a showcase role in Gravity, and Dench and Streep are Dench and Streep. (This is Streep's 18th nomination, by the way; Dench has a mere seven.) Interestingly, the Academy chose to go the veteran route this year, passing on young and relatively unknown actresses (who earned nominations elsewhere) like Brie Larson (Short Term 12) and Adèle Exarchopoulos (Blue Is the Warmest Color).
Lead Actor
Christian BaleAmerican Hustle
Bruce DernNebraska
Leonardo DiCaprioThe Wolf of Wall Street
Chiwetel Ejiofor12 Years a Slave
Matthew McConaugheyDallas Buyers Club
Oddly, Christian Bale's terrific lead performance in American Hustle has been getting little attention on the awards circuit this year, but it is hard to argue with his presence here (which gives the film a chance to sweep the acting categories), though it probably comes at the expense of Robert Redford (All Is Lost), Tom Hanks (Captain Phillips), and/or Oscar Isaac (Inside Llewyn Davis). Though Chiwetel Ejiofor was probably the runaway favorite as recently as a few weeks ago, fellow first-time Oscar nominee Matthew McConaughey has been gaining momentum, thanks in no small part to his Golden Globe win.
Supporting Actress
Sally HawkinsBlue Jasmine
Jennifer LawrenceAmerican Hustle
Lupita Nyong'o12 Years a Slave
Julia RobertsAugust: Osage County
June SquibbNebraska
While the five nominees have all been fairly ubiquitous on the awards circuit this year (with awards fairly evenly split between Nyong'o and Lawrence so far), there was a decent chance that Oprah Winfrey would slip in here for The Butler. Note that Lawrence won an Oscar last year (as lead actress); she's the only one of last year's winners in the acting categories who is nominated again this year, and she's the youngest-ever (at 23) three-time Oscar acting nominee. Roberts has been nominated three times before (most recently, winning for Erin Brockovich in 2000), but the other three nominees are first-timers (including the 84-year-old Squibb). Note that Scarlett Johansson, who voices the operating system in Her, was not eligible for the Academy Award, since she never appears on screen.
Supporting Actor
Barkhad AbdiCaptain Phillips
Bradley CooperAmerican Hustle
Michael Fassbender12 Years a Slave
Jonah HillThe Wolf of Wall Street
Jared LetoDallas Buyers Club
While fans were hoping for a posthumous nomination for James Gandolfini (Enough Said), the field is pretty much as expected. Jared Leto is the likely favorite, having already collected nearly every supporting actor award handed out this year, though Abdi and Fassbender are also major contenders. On the other hand, Cooper and Hill are the biggest underdogs, with almost no recognition from other groups, though they still beat out other potential nominees like James Franco (Spring Breakers), Will Forte (Nebraska), and Daniel BrĂ¼hl (Rush). Abdi, Fassbender, and Leto are all first-time Oscar nominees; Cooper was nominated last year, and Hill the year before (for Moneyball).

Other best film nominations

Animated Feature
55 The Croods Chris Sanders, Kirk DeMicco and Kristine Belson
62 Despicable Me 2 Chris Renaud, Pierre Coffin and Chris Meledandri
xx Ernest & Celestine Benjamin Renner and Didier Brunner
74 Frozen Chris Buck, Jennifer Lee and Peter Del Vecho
84 The Wind Rises Hayao Miyazaki and Toshio Suzuki
While there may be a sentimental push behind Hayao Miyazaki's final film (The Wind Rises), expect Disney's newest hit Frozen to win here. The little-known Ernest & Celestine, by the way, is a French-Belgian production based on a children's book, and it played the festival circuit (including Cannes and TIFF) though it never screened widely in the U.S.
Documentary Feature
89 The Act of Killing Joshua Oppenheimer and Signe Byrge Sørensen
82 Cutie and the Boxer Zachary Heinzerling and Lydia Dean Pilcher
76 Dirty Wars Richard Rowley and Jeremy Scahill
83 The Square Jehane Noujaim and Karim Amer
83 20 Feet From Stardom (credits to be determined)
The documentary field is a strong one this year. Joshua Oppenheimer's The Act of Killing is not just the favorite 2013 documentary among critics; it's one of their favorite films of the year, period. But any of these films can win.
Foreign-Language Feature
70 The Broken Circle Breakdown BELGIUM
86 The Great Beauty ITALY
76 The Hunt DENMARK
80 The Missing Picture CAMBODIA
xx Omar PALESTINE
Paolo Sorrentino's The Great Beauty was among critics' favorite films of 2013 (with many naming it to their year-end top 10 lists), but the critics' choice is rarely the winner in this category. The Missing Picture is just the second documentary ever nominated in this category, and is Cambodia's first Oscar nomination. Note that Blue Is the Warmest Color, the film that has been dominating this category on the awards circuit, was not eligible for the Oscar, having just missed the cut-off date for release in its home country by a week.

Short subjects

Animated Short
Feral Daniel Sousa and Dan Golden
Get a Horse! Lauren MacMullan and Dorothy McKim
Mr. Hublot Laurent Witz and Alexandre Espigares
Possessions Shuhei Morita
Room on the Broom Max Lang and Jan Lachauer
Documentary Short
CaveDigger Jeffrey Karoff
Facing Fear Jason Cohen
Karama Has No Walls Sara Ishaq
The Lady in Number 6: Music Saved My Life Malcolm Clarke and Nicholas Reed
Prison Terminal: The Last Days of Private Jack Hall Edgar Barens
Live-Action Short
Aquel No Era Yo (That Wasn't Me) Esteban Crespo
Avant Que De Tout Perdre (Just Before Losing Everything) Xavier Legrand and Alexandre Gavras
Helium Anders Walter and Kim Magnusson
Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?) Selma Vilhunen and Kirsikka Saari
The Voorman Problem Mark Gill and Baldwin Li
These are the categories that have ruined many an office pool. There's one favorite we can report, however: Disney's inventive Get a Horse!, the first animated Mickey Mouse short in nearly two decades (and featuring archival recordings of Walt Disney himself providing Mickey's voice), has a lot of fans.

Music

Original Score
John WilliamsThe Book Thief
Steven PriceGravity
William Butler and Owen PallettHer
Alexandre DesplatPhilomena
Thomas NewmanSaving Mr. Banks
Another year, another John Williams nomination: this is his 49th to date (over twice as many as the next highest total among living people), though he hasn't won since 1993. Thomas Newman is no stranger here either; this is his 12th career nomination. Her composer William Butler (teaming with fellow Canadian musician Owen Pallett), by the way, is a member ofArcade Fire.
Original Song
"Alone Yet Not Alone"by Bruce Broughton, Dennis SpiegelAlone Yet Not Alone
"Happy"
by Pharrell Williams
Despicable Me 2
"Let It Go"
by Kristen Anderson-Lopez and Robert Lopez
Frozen
"The Moon Song"
by Karen O, Spike Jonze
Her
"Ordinary Love"
by Paul Hewson, Dave Evans, Adam Clayton and Larry Mullen
Mandela: Long Walk to Freedom
U2's "Ordinary Love" has the momentum here, having just picked up the Golden Globe days ago. This is one category where the omission of Inside Llewyn Davis was expected, as that film's original song was not eligible (the Academy having a somewhat unconventional definition of "original"). Never heard of the film Alone Yet Not Alone? You're not ... alone.

Technical categories

Cinematography
Philippe Le SourdThe Grandmaster
Emmanuel LubezkiGravity
Bruno DelbonnelInside Llewyn Davis
Phedon PapamichaelNebraska
Roger A. DeakinsPrisoners
Le Sourd is a surprise nomination here, with little recognition in previous awards this year. Missing are Sean Bobbitt (12 Years a Slave) and (though always a longshot) Hoyte Van Hoytema (Her). If you've seen Gravity, you'll understand why Lubezki is the favorite. He has been nominated five times previously, but has never won the Oscar.
Costume Design
American Hustle
The Grandmaster
The Great Gatsby
The Invisible Woman
12 Years a Slave
Film Editing
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
12 Years a Slave
Makeup and Hairstyling
Dallas Buyers Club
Jackass Presents: Bad Grandpa
The Lone Ranger
Production Design
American Hustle
Gravity
The Great Gatsby
Her
12 Years a Slave
Sound Editing
All Is Lost
Captain Phillips
Gravity
The Hobbit: The Desolation of Smaug
Lone Survivor
Sound Mixing
Captain Phillips
Gravity
The Hobbit: The Desolation of Smaug
Inside Llewyn Davis
Lone Survivor
Visual Effects
Gravity
The Hobbit: The Desolation of Smaug
Iron Man 3
The Lone Ranger
Star Trek Into Darkness
We know what you're thinking: "Jackass Presents: Bad Grandpa? What an obvious Academy Award nominee." Actually, you're thinking, "Am I an idiot if I don't pick Gravity to win the visual effects award in my Oscar pool?" Yes, yes you are.

More coverage to come

Ellen DeGeneres will make her second appearance as Oscar host when the 86th Annual Academy Awards ceremony airs live on ABC on Sunday, March 2nd at 7:00p ET / 4:00p PT. As we do each year, in the weeks prior to the big day, we'll give you a chance to predict this year's winners, and then we'll compare your picks to those of dozens of critics and industry experts.
In the meantime, what do you think of this year's nominations? What did the Academy get right, and what did they overlook? Let us know in the comments section below, and be sure to check out our 2013 Film Awards Scorecard to see how the Academy's choices compare to all of the other movie awards handed out over the past few months.

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Read about film, movies, flicks, or what you want to call it, can be accessed on this Louis A. Habash blog site.